DMX
Albums and Posters
you should buy while your here

"DMX" on Life: To live is to suffer, but to survive well that's to find meaning in the suffering

"I been around for a minute, but for some strange reason I kept getting passed over by  muthafuckas that didn't have half the talent I had,"     DMX said. "That shit got frustrating, but I always say  that there's a time and place for everything."

DMX said, "An important and fundamental premise of the American judicial system is the presumption of innocence - that is, until proven guilty."

"I want Flesh Of My Flesh to be like my connection to the community," DMX says. "I want to say what's on my peoples' minds, soak up all their pain. I've learned that when I take it all in, I can make one brotha's pain be understood by the world."

"If you think this reality is positive then you're wrong," DMX says, "because there are not  too many communities in the hood. there's just a bunch of individuals. But all that matters to me is if niggas know I'm speaking for them - because I am them. See, I'm  just starting to realize that I'm good you know, and realize the power I have."

"I'm comin' with a lot of joints. It's the same type of X shit. I mean, I always touch on different subjects, tell different stories, but as far as the feel of the album, it's the same shit. Why switch up? If it ain't broke, don't fix it. - DMX

Dmx : Great Depression
Street Date  Oct 23, 2001
Notes
THE GREAT DEPRESSION is the fourth story in the life of DMX. This hardcore rap album has enough flavor to appeal to all hip-hop fans.
Produced by: DMX, Damon "Grease" Blackman, Black Key, Kidd Kold, Chad Elliot.
Recorded at The Hit Factory Criteria, Miami, Florida and Chaton Studios, Phoenix, Arizona.
 Reviews
Rolling Stone (11/22/01, p.86) - 3 stars out of 5- "...DMX still has his musical
reflexes....maintaining his hard-rock chops on 'I'ma Bang', 'Who We Be' and 'Bloodline Anthem'..."
Entertainment Weekly (11/02/01, p.79) - "...Exhibits growth and honesty..." - Rating: B-

Dmx : And Then There Was X...
 Street Date Dec 21, 1999
NOTES
Personnel includes: DMX, Regina Bell, Dyme, Sisqo, The Lox, Drag-On.
Producers include: Swizz Beatz, P. Killer Trackz, Grease, Shok, Nokio.
Recorded at The Hit Factory, Miami, Florida and Power House, Yonkers, New York.
AND THEN THERE WAS X was nominated for the 2001 Grammy Award for Best Rap Album and "Party Up" was nominated for Best Rap Solo Performance.
No other rapper exerts quite as much energy as Def Jam heavyweight DMX. With his adrenaline-pumped hip-hop anthems, Yonkers native DMX has taken the hip-hop industry by storm. His third album, AND THEN THERE WAS X came only one year after his highly-anticipated second album, FLESH OF MY FLESH..., which came only six months after his multi-platinum debut, IT'S DARK AND HELL IS HOT. With this series of rapid-fire releases, DMX was able to remain on the cutting edge of rap.
"What's My Name?" perhaps most clearly demonstrates the power of the Ruff Ryder frontman. The other Swizz Beatz-produced tracks bring forth more of the same flavor. His rough-edged lyrics and spitfire delivery will leave his "dogs" foaming at the mouth for more. Though X is backed by one of hip-hop's most prominent crews (the Ruff Ryders), the platinum pit bull proves he can hold his own and then some.
REVIEWS
The Source (3/00, p.256) - 3.5 mics out of 5 - "...[DMX] hits you with that same X flow that made you wanna get at him in the first place. And as usual, the other side of his duel persona has a revealing conversation with God....his bark calls us...you just gotta feel."
Rolling Stone (2/3/00, p.58) - 3 stars out of 5 - "...he moves...with verve....DMX doesn't stray far from his proven formula: schizophrenic flows and old-age-wisdom-meets-street-knowledge buttressed by sea-chanteylike choruses..."
Q Mqagazine (3/00, p.100) - 4 stars out of 5 - "...Excellent. The results are thrilling: dynamic anthemic stadium rap, plus loads of swearing..."
Entertainment Weekly (1/14/00, pp.73-4) - "...What makes DMX so compelling is the ravaged grain and electric urgency of his voice - he sounds like a man who...is just about to blow....That internal drama lends X a thematic ambition few contemporary rappers even bother to strive for..." - Rating: A-

Dmx : Flesh Of My Flesh... Blood Of My Blood
Street Date Dec 22, 1998
NOTES
Personnel includes: DMX, Swizz Beatz, Drag-On, The Lox, Jay-Z (rap vocals); Mary J. Blige, Marilyn Manson, Tamyra Grey (vocals); Rich Keller (guitar, keyboards, bass).
Producers include: Swizz Beatz, PK, Irv Gotti & Rebel, DJ SHOK, Dame Grease.
Engineers include: Rich Keller, Adam Gazzola.
Get at me dog! DMX returns with his sophomore album, FLESH OF MY FLESH BLOOD OF MY BLOOD, a sixteen cut collection of tracks that scream with energy and vocal prowess. In a move that bucks the trend of collaboration-heavy albums, FLESH OF MY FLESH BLOOD OF MY BLOOD, has only a few strategically placed collaborations. The Lox and Jay-Z drop science on "Blackout," while Mary J. Blige adds her smooth R&B touch to "Coming From." Perhaps the most improbable pairing is on "The Omen," which features Shock-turned-Glam Rocker Marilyn Manson. The track uses a sample from the famous horror movie of the same name from the late 1970's. Various producers including Swizz Beatz ("It's All Good"), PK and Dame Grease ("Dogs For Life") handle the beats, which range from street hard to jazzy smooth. Overall, DMX never fails to deliver the goods.
REVIEWS
The Source (2/00, p.95) - Included in The Source's "Top 10 Albums of the Year [1999]."
The Source (3/99, p.212) - "...marks DMX's official canonization as a ghetto saint, who has made it loud and clear that the masses' pain becomes his pain..."
Rolling Stone (2/4/99, p.61) - "DMX...shines, delivering a deep, intimate record that sounds like it was written in a confession booth..."
Entertainment Weekly (1/15/99, p.63) - "...As he rasps distinctively through a set of horror-show hardcore hip-hop, DMX's primal grooves pump as relentlessly as an AK-47 and he's not afraid to mix it up (Mary J. Blige and Marilyn Manson make cameos)....At his best, he radiates a nihilistic thug charisma that rivals Tupac's." - Rating: B+
 

Dmx : It's Dark And Hell Is Hot
Street Date May 19, 1998
NOTES
Personnel: DMX, Sheek, Big Stan, Loose, Kasino, Dragon, The Lox, Mase (rap vocals); Nardo (vocals).
Producers include: Irv Gotti, Lil' Rob, Swizz, PK, Dame Grease.
Engineers include: Patrick Viala, Justice Johnson, Rich Keller.
In 1998, DMX brings new energy to a laid-back hip-hop scene. While various MCs have been busy partying and dancing, DMX has been amping himself up for a powerful debut. IT'S DARK AND HELL IS HOT is the first full-length release from the rapper, despite an attempt to break through in 1993. It wasn't until legendary rap label Def Jam got a hold of him that DMX's career began to take off. While being featured on a number of blazing posse cuts, DMX took hip-hoppers to the next level with his smash single, "Get At Me Dog." With tight production and lyrical gymnastics, DMX puts the hardcore back into hip-hop.
REVIEWS
The Source (7/98, p.151) - 4 Mics (out of 5) - "...DMX raps as if he's about to explode....IT'S DARK AND HELL IS HOT is a mind-gripping opus that fully encompasses the appeal of one of rap's newest sensations..."
Rolling Stone (7/9-23/98, p.134) - 3 Stars (out of 5) - "...relies heavily on pop-y, verse-chorus-verse song structures more common with commercial rappers than with roughneck MCs. DMX sidesteps the potential banality of this radio-ready format...with a ferocious delivery reminiscent of vintage L.L. Cool J..."
Spin (8/98, p.143) - 6 (out of 10) - "...a psychotic concept album that celebrates bloody style over creative substance....DMX never shares a worldview not seen from the inside of a prison or from behind a blue-steel trigger..."
Q Magazine (8/00, p.124) - 4 stars out of 5 - "...Hard-as-nails multi-platinum 1998 debut complete with wall-to-wall cursing, booming beats and - scariest of all - Phil Collins' 'In The Air Tonight' being given a good slapping..."

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